Why Buy Original Art?

So, what is the point of buying an original piece of art? When you can probably get something much cheaper from (insert name of the home or furniture store of choice) and it can be changed as you update your paint colour.

I’d like to share a different perspective. Original art is not just for the investors. In fact I think the vast majority of original art is probably bought from established or up and coming artists like me and my fellow artists for tens or hundred of pounds, rather than thousands of pounds. Probably from small local galleries, local and regional art fairs, open studios and directly from the artists themselves.

What are you getting in buying a piece of original art? You have the opportunity to own something unique that is completely original. Not just that, in the creation of the piece the artist has had a relationship with that piece of work. They have applied the paint and materials or melted the metal, worked the clay, carved the wood, blown the glass. If you are buying directly from the artist you can often talk to them and find out about them.  Learn what inspired them, hear the story of the creation of the work and even why the artist made the choices they did in the making.  In owning the piece you are gifted with the unique experience of owning a creative representation of someone’s perspective on the world.

study 20-01
Colour Study, mounted. £30 in my Etsy shop.

You can start small. Lots of artists will make their sketches or smaller works available for sale. These can be a great way to start your original art collection.  For example I have done a couple of projects this year in support of my art practice one was the 100 Day Challenge where I did a small abstract collage a day. This inspired some small collage works on paper.  The second was an exercise shared by Louise Fletcher which resulted in a whole host of small colour studies. These works are all available in my Etsy shop for under £40.  You might also like to check out Alice Sheridan’s recent post on this topic, Alice has some good tips about how to decide what to buy.

Choosing a piece of original art allows us to connect with our own inspiration and the things that move us.  We have the chance own original work that appeals to us deeply. Sometimes we will not know why we like something just that there is something about it that appeals to us.   We may not even be able to put it into words. I think these kind of experiences are worth having. To sit in front of a piece of art that brings you pleasure year after year, to be moved and inspired.

How did you begin collecting original art?  What was your first piece? Do you still love it?  I’d love to hear your experiences.

 

 

 

 

Low Tide II

Walk at Withernsea

Walk at Withernsea

I’ve just uploaded a new painting to my website. I’ve been working on this for a few months off and on. It’s inspired by a walk I took earlier this year at Withernsea on the Yorkshire coast. It was a thoroughly breezy day, yet with a clear sky, the sun still felt warm enough to be on the beach. Not long after I came back I did a small 20×20 painting in acrylic that I was never that pleased with.

What next?

More recently I went back to the photograph and thought I would try a different approach using a palette knife to get more movement and drama into the painting. It felt like a dramatic day with a stiff breeze, a very low tide leaving the beach exposed with huge swathes of water lying on the sand reflecting the light of a beautiful cerulean sky.  Although closer to capturing the feeling of the day,  I wasn’t that happy with this version either, it was too broken up, not enough integration between areas and colour. So it sat on the wall for another few weeks while I occasionally gazed at it and wondered what might come next.

Oil Paint

What came next was oil paint – I was looking at it one day and thought “I wonder what would happen if…….”

I love those moments with a painting – clearly something had been going on in my unconscious.  I’m finding it increasingly important to have the patience to wait and see. To live with a bit of uncertainty not knowing where to go next, yet be willing to see what will emerge.  What does emerge is often surprising and in this case a different result to what I would have got if I hadn’t been willing to wait.

Low Tide II