Colourful Interest

I am at the end of week two of my Monochrome challenge. The challenge I set myself was to complete a small, 10cm x 10cm, abstract painting everyday during August. I could use one colour if I wished. So, how has this second week been? Two big themes this week.

Painting on the Run

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With the Art in the Pen exhibition in Skipton on Saturday and Sunday, there were a couple of days when I wasn’t sure I was going to complete a painting. I had taken a small kit of materials with me to Skipton. This was made up of a small box with black and white acrylic paint on a stay wet palette. I do this by putting a damp cloth in the bottom of an airtight sandwich box. I cover the cloth with baking parchment. The paint then goes on top of the parchment and the moisture from the cloth underneath will keep the paint from drying out.

I also had three brushes, a small palette knife and one single colour. In this case, quinacridone gold which is transparent and fantastic for glazing. the last few bits were a selection of oil pastels all in the brown/orange colour range a charcoal and graphite pencil.

Fortunately Friday morning I was up super early so I was able to complete a piece before we got on the road. It definitely helps my creativity to paint early in the day when my energy is fresh.

Saturday was more of a challenge after a full day of chatting to people and dinner out. However, I got the main ideas down for the piece which felt like enough. The difference in the process of painting between 6am on Friday and 9pm Saturday was huge. Early wins hands down.

Colourful Interest

The second thing I noticed was how much I use colour to provide interest. Which it will do of course. But, this was a monochrome challenge so I decided now I was back in the studio to do the next two or three paintings in black and white and forgo the option of using a colour. To focus just on value as the interest in the composition. It has been a reminder of how this can be really useful as an exercise in thinking about design. The elements in a piece are thrown into stark relief when a painting is solely in black and white – both good and not so good!

Day 11

Have you got a favourite piece from this week? Hop on over to the gallery to see all of the paintings from the challenge so far. Week three is coming up and what next?

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